Friday 21 may 2027 at 20:30

Play: Jealousy

Cultural
Show
Theatre

Carré Léon Gaumont, 107 route du Plan de la Tour, 83120 Sainte-Maxime

- See opening hoursWarning: Unsecured hours
- Friday21May
  2027
  at 20:30
  Add to Google Calendar
- - 04 20 23 23 23
  Contact Play: Jealousy
  * : champs obligatoires
  Period
  From
  to
  Civility ^*
  Name ^*
  First name ^*
  Email ^*(Ex: nomprenom@mondomaine.fr)
  Phone
  Message ^*
  I would like to receive information from :
  ^* You may at any time unsubscribe our mailing lists.
  Under the General Data Protection Regulation (GDPR), the personal information collected via this form is intended for the service provider indicated on the relevant website page and the website publisher, who are responsible for processing it within the limits of their respective remit. This information is necessary to manage requests from various contacts at the two establishments, including receiving them electronically, forwarding them to the relevant departments, recording requests and responses to contacts, and compiling statistics on departmental activity. For more information, please see the privacy policy.
  Thanks. Your message has been sent.
  Une erreur est survenue lors de l'envoi du formulaire.
  - www.carre-sainte-maxime.fr
- - Facebook page

Sacha Guitry’s biting humor, the creativity of director and actor Michel Fau, and the virtuosity of the cast, all in perfect harmony: all the ingredients for an absolute success come together in this sparkling production of *La Jalousie*!

First staged at the Bouffes Parisiens in 1915, Sacha Guitry’s play hasn’t aged a bit, brought to life here by an exemplary cast: Michel Fau as a magnificent cuckold, Geneviève Casile, a legend of the Comédie-Française, delightfully sharp as a world-weary mother-in-law; Gwendoline Hamon, full of subtlety in her role as Marthe, whose intelligence is destructive; and Alexis Moncorgé as a vain scribe… Add to that Guitry’s sharp-tongued dialogue (half-deadly, half-scathing!), sumptuous sets and elegant costumes, and a meticulously precise yet fluid direction that provides ample room for the actors to shine—and the comedy regains the sparkle of its youth. It asserts its modernity because behind this “miniature tragedy” centered on vanity, fear, seduction, and the torments of coupledom, the smiles and laughter echo crueler truths. This speaks to the depth and ambiguity of this timeless and exhilarating comedy!